The Wakayama Prefectural Police revealed on May 8, 2024 that Your Name. movie producer Koichiro Itou has been referred to prosecutors for additional violation of Child Prostitution & Pornography law in Japan, after it came to light that he had paid an underage girl for sexual intercourse.
The latest case involved a 17-year-old high school girl from Yokohama. Investigators believe Itou knew the girl was a minor when he paid her 30,000 yen for having sexual intercourse at his residence in December 2023.
He is also suspected of taking and saving photographs of the act.
They were visually stunning but the plot was mid at best.
HARD disagree. You don’t have to enjoy it, everyone is free to like what they like, but all three films are critically acclaimed and adored by fans worldwide for a reason. And no, not all popular media is good media, but these are not popular enough to fall into that category.
Miyazaki’s movies are more in the “visually stunning but mid” status IMO. Like, Howl’s was great, everything else is meh to me. But I also know that many people love them - including my wife - so I respect that they are good movies.
This comment cracks me up.
You start off by pointing to how popular it is, implying that must mean it’s good.
And then you go onto to imply that popular can be bad, but because these aren’t that popular (contradicting yourself), it’s implied that that makes them good. Which is, in and of itself, bizarre. . .as if unpopular media can’t be bad.
You can get critical acclaim for a ham sandwich with the right publicist. And it’ll have fans worldwide with a big enough marketing budget. In no small part thanks to the obscene ad buys for this film and Suzume, they got exactly that.
Jesus, this is what I’m talking about. The Boy and The Heron got goose-egg for a marketing budget and people still queued up around the block to see it.
Meanwhile, I couldn’t make it a city block in Tokyo or Seoul without seeing a ten story tall billboard for Suzume. Makoto Shinkai and Koichiro Itou ape the Miyazaki style, but fall far short in the script delivery. They’re riding Miyazaki’s coat tails with all style and no substance.
There’s simply no throughline in Your Name or Suzume. Things just… happen. The characters are never well-developed or distinguishable from their stereotypes. The dialogue is awful. Neither hold a candle to Princess Mononoke.