A New York Times copyright lawsuit could kill OpenAI::A list of authors and entertainers are also suing the tech company for damages that could total in the billions.

  • Melllvar@startrek.website
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    7 months ago

    If OpenAI owns a Copyright on the output of their LLMs, then I side with the NYT.

    If the output is public domain–that is you or I could use it commercially without OpenAI’s permission–then I side with OpenAI.

    Sort of like how a spell checker works. The dictionary is Copyrighted, the spell check software is Copyrighted, but using it on your document doesn’t grant the spell check vendor any Copyright over it.

    I think this strikes a reasonable balance between creators’ IP rights, AI companies’ interest in expansion, and the public interest in having these tools at our disposal. So, in my scheme, either creators get a royalty, or the LLM company doesn’t get to Copyright the outputs. I could even see different AI companies going down different paths and offering different kinds of service based on that distinction.

    • gram_cracker@lemmynsfw.com
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      7 months ago

      If LLMs like ChatGPT are allowed to produce non-copyrighted work after being trained on copyrighted work, you can effectively use them to launder copyright, which would be equivalent to abolishing it at the limit.

      A much more elegant and equitable solution would be to just abolish copyright outright. It’s the natural direction of a country that chooses to invest in LLMs anyways.

    • webghost0101@sopuli.xyz
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      7 months ago

      NYT loses even if they win.

      While id love to see Openai forced to take a step back ai isn’t going away.

      Journalism will have to adapt or it will get replaced, just like so many jobs, including my own.

    • VonCesaw@lemmy.world
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      7 months ago

      Honestly, I’d rather OpenAI lose this one, and NYT lose later on in a much more embarrassing manner that cuts all the golden parachutes

  • SatanicNotMessianic@lemmy.ml
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    7 months ago

    The NYT has a market cap of about $8B. MSFT has a market cap of about $3T. MSFT could take a controlling interest in the Times for the change it finds in the couch cushions. I’m betting a good chunk of the c-suites of the interested parties have higher personal net worths than the NYT has in market cap.

    I have mixed feelings about how generative models are built and used. I have mixed feelings about IP laws. I think there needs to be a distinction between academic research and for-profit applications. I don’t know how to bring the laws into alignment on all of those things.

    But I do know that the interested parties who are developing generative models for commercial use, in addition to making their models available for academics and non-commercial applications, could well afford to properly compensate companies for their training data.

      • SatanicNotMessianic@lemmy.ml
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        7 months ago

        I completely agree. I don’t want them to buy out the NYT, and I would rather move back to the laws that prevented over-consolidation of the media. I think that Sinclair and the consolidated talk radio networks represent a very real source of danger to democracy. I think we should legally restrict the number of markets a particular broadcast company can be in, and I also believe that we can and should come up with an argument that’s the equivalent of the Fairness Doctrine that doesn’t rest on something as physical and mundane as the public airwaves.

  • makyo@lemmy.world
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    7 months ago

    I always say this when this comes up because I really believe it’s the right solution - any generative AI built with unlicensed and/or public works should then be free for the public to use.

    If they want to charge for access that’s fine but they should have to go about securing legal rights first. If that’s impossible, they should worry about profits some other way like maybe add-ons such as internet connected AI and so forth.

    • Pacmanlives@lemmy.world
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      7 months ago

      Not really how it works these days. Look at Uber and Lime/Bird scooters. They basically would just show up to a city and say the hell with the law we are starting our business here. We just call it disruptive technology

      • makyo@lemmy.world
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        7 months ago

        Unfortunately true, and the long arm of the law, at least in the business world, isn’t really that long. Would love to see some monopoly busting to scare a few of these big companies into shape.

    • miridius@lemmy.world
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      7 months ago

      Nice idea but how do you propose they pay for the billions of dollars it costs to train and then run said model?

          • nickwitha_k (he/him)@lemmy.sdf.org
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            7 months ago

            If we didn’t live under an economic system where creatives need to sell their works to make a living or even just survive, there wouldn’t be an issue. What OpenAI is doing is little different than any other worker exploitation, however. They are taking the fruits of the labor of others, without compensation of any kind, then using it to effectively destroy their livelihoods.

            Few, if any, of the benefits of technological innovation related to LLMs or related tech is improving things for anyone but the already ultra-wealthy. That is the actual reason that we can’t have nice things; the greedy being obsessed with taking and taking while giving less than nothing back in return.

            Just like noone is entitled to own a business that can’t afford to pay a living wage, OpenAI is not entitled to run a business aimed at building tools to destroy the livelihoods of countless thousands, if not millions, of creatives by building their tools out of stolen works.

            I say this as one who is in support of trying to create actual AGI and potentially “uplift” species, making humanity less lonely. I think OpenAI doesn’t have what it takes and is nothing more than another scam to rob workers of the value of their labor.

            • General_Effort@lemmy.world
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              7 months ago

              This is the wrong way around. The NYT wants money for the use of its “intellectual property”. This is about money for property owners. When building rents go up, you wouldn’t expect construction workers to benefit, right?

              In fact, more money for property owners means that workers lose out, because where else is the money going to come from? (well, “money”)

              AI, like all previous forms of automation, allows us to produce more and better goods and services with the same amount of labor. On average, society becomes richer. Whether these gains should go to the rich, or be more evenly distributed, is a choice that we, as a society, make. It’s a matter of law, not technology.

              The NYT lawsuit is about sending these gains to the rich. The NYT has already made its money from its articles. The authors were paid, in full, and will not get any more money. Giving money to these property owners will not make society any richer. It just moves wealth to property owners for being property owners. It’s about more money for the rich.

              If OpenAI has to pay these property owners for no additional labor, then it will eventually have to increase subscription fees to balance the cash flow. People, who pay a subscription, probably feel that it benefits them, whether they use it for creative writing, programming, or entertainment. They must feel that the benefit is worth, at least, that much in terms of money.

              So, the subscription fees represent a part of the gains to society. If a part of these subscription fees is paid to property owners, who did not contribute anything, then that means that this part of the social gains is funneled to property owners, IE mainly the ultra-rich, simply for being owners/ultra-rich.

  • Tony Bark@pawb.social
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    7 months ago

    The problem with copyright is that everything is automatically copyrighted. The copyright logo is purely symbolic, at this point. Both sides are technically right, even though the courts have ruled that anything an AI outputs is actually in the public domain.

    • Even_Adder@lemmy.dbzer0.com
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      7 months ago

      Works involving the use of AI are copyrightable. Also, the Copyright Office’s guidance isn’t law. Their guidance reflects only the office’s interpretation based on its experience, it isn’t binding in the courts or other parties. Guidance from the office is not a substitute for legal advice, and it does not create any rights or obligations for anyone. They are the lowest rung on the ladder for deciding what law means.

        • Even_Adder@lemmy.dbzer0.com
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          7 months ago

          This ruling is about something else entirely. He tried to argue that the AI itself was the author and that copyright should pass to him as he hired it.

          An excerpt from your article:

          In 2018, Dr. Thaler sought to register “Recent Entrance” with the U.S. Copyright Office, listing the Creativity Machine as its author. He claimed that ownership had been transferred to him under the work-for-hire doctrine, which allows the employer of the creator of a given work or the commissioner of the work to be considered its legal author. However, in 2019, the Copyright Office denied copyright registration for “Recent Entrance,” ruling that the work lacked the requisite human authorship. Dr. Thaler requested a review of his application, but the Copyright Office once more refused registration, restating the requirement that a human have created the work.

          Copyright is afforded to humans, you can’t register an AI as an author, the same as a monkey can’t hold copyright.

          • wikibot@lemmy.worldB
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            7 months ago

            Here’s the summary for the wikipedia article you mentioned in your comment:

            Between 2011 and 2018, a series of disputes took place about the copyright status of selfies taken by Celebes crested macaques using equipment belonging to the British wildlife photographer David J. Slater. The disputes involved Wikimedia Commons and the blog Techdirt, which have hosted the images following their publication in newspapers in July 2011 over Slater’s objections that he holds the copyright, and People for the Ethical Treatment of Animals (PETA), who have argued that the copyright should be assigned to the macaque. Slater has argued that he has a valid copyright claim because as he engineered the situation that resulted in the pictures by travelling to Indonesia, befriending a group of wild macaques, and setting up his camera equipment in such a way that a selfie might come about. The Wikimedia Foundation’s 2014 refusal to remove the pictures from its Wikimedia Commons image library was based on the understanding that copyright is held by the creator, that a non-human creator (not being a legal person) cannot hold copyright, and that the images are thus in the public domain.

            to opt out, pm me ‘optout’. article | about

            • Even_Adder@lemmy.dbzer0.com
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              7 months ago

              Then you should amend your comment to:

              even though the courts have ruled that anything atributed to an AI outputs as an author is actually in the public domain.

              Because as typed, it is wrong.